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Paul Simon
Paul Simon


Background information
Birth name Paul Frederic Simon
Born October 13, 1941
Origin Newark, New Jersey, United States
Genre(s) Rock
World music
Years active 1957—present
Label(s) Columbia Records
Associated acts Simon & Garfunkel
Website Website



Music World  →  Lyrics  →  P  →  Paul Simon  →  Albums  →  Negotiations & Love Songs

Paul Simon Album


Negotiations & Love Songs (1988)
1988
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. . .


Words & music by Paul Simon

No I would not give you false hope
On this strange and mournful day
But the mother and child reunion
Is only a motion away, oh, little darling of mine.
I can't for the life of me
Remember a sadder day
I know they say let it be
But it just don't work out that way
And the course of a lifetime runs
Over and over again

No I would not give you false hope
On this strange and mournful day
But the mother and child reunion
Is only a motion away, oh, little darling of mine.

I just can't believe it's so,
and though it seems strange to say
I never been laid so low
In such a mysterious way
And the course of a lifetime runs
Over and over again

But I would not give you false hope
On this strange and mournful day
When the mother and child reunion
Is only a motion away,
Oh, oh the mother and child reunion
Is only a motion away
Oh the mother and child reunion
Is only a moment away

. . .


Words & music by Paul Simon

The mama pajama rolled out of bed
And she ran to the police station
When the papa found out he began to shout
And he started the investigation
It's against the law
It was against the law
What the mama saw
It was against the law

The mama looked down and spit on the ground
Everytime my name gets mentioned
The papa said oy if I get that boy
I'm gonna stick him in the house of detention
Well I'm on my way
I don't know where I'm going
I'm on my way

I'm taking my time
But I don't know where
Goodbye to Rosie the queen of Corona
See you, me and Julio
Down by the schoolyard
See you, me and Julio
Down by the schoolyard
Me and Julio down by the schoolyard

In a couple of days they come and take me away
But the press let the story leak
And when the radical priest
Come to get me released
We was all on the cover of Newsweek
And I'm on my way
I don't know where I'm going
I'm on my way

I'm taking my time
But I don't know where
Goodbye to Rosie the queen of Corona
See you, me and Julio
Down by the schoolyard
See you, me and Julio
Down by the schoolyard
Me and Julio down by the schoolyard

. . .


Words & music By Paul Simon

You've got the cool water
When the fever runs high
You've got the look of lovelight in your eyes
And I was in crazy motion
'Til you calmed me down
It took a little time
But you calmed me down

When something goes wrong
I'm the first to admit it
I'm the first to admit it
And the last one to know

when something goes right
Well it's likely to lose me, mm
It's apt to confuse me
It's such an unusual sight
Oh, I can't, I can't get used to something so right
Something so right

They've got a wall in China
It's a thousand miles long
To keep out the foreigners they made it strong
And I've got a wall around me
That you can't even see
It took a little time
To get next to me

When something goes wrong
I'm the first to admit it
I'm the first to admit it
And the last one to know
when something goes right
Well it's likely to lose me, mm
It's apt to confuse me
because it's such an unusual sight
Oh, I can't, I can't get used to something so right
Something so right

Some people never say the words "I love you"
It's not their style
to be so bold
Some people never say the words "I love you"
But like a child they're longing to be told, mm

When something goes wrong
I'm the first to admit it
I'm the first to admit it
And the last one to know
when something goes right
Well it's likely to lose me, mm
It's apt to confuse me
because it's such an unusual sight
I swear, I can't, I can't get used to something so right
Something so right

. . .


Words & music by Paul Simon

Oo, little sleepy boy
Do you know what time it is?
Well the hour of your bedtime's long been past
And though I know you're fighting it
I can tell when you rub your eyes
You're fading fast, oh fading fast

Won't you run come see St. Judy's Comet
Roll across the skies
And leave a spray of diamonds in its wake
I long to see St. Judy's Comet
Sparkle in your eyes when you awake
Oh, when you wake, wake

Little boy
Won't you lay your body down
Little boy
Won't you close your weary eyes
Ain't nothing flashing but the fireflies

Well I sang it once and I sang it twice
I'm going to sing it three times more
I'm going to stay 'til your resistance
Is overcome
'Cause if I can't sing my boy to sleep
Well it makes your famous daddy look so dumb
look so dumb

Won't you run come see St. Judy's Comet
Roll across the skies
And leave a spray of diamonds in its wake
I long to see St. Judy's Comet
Sparkle in your eyes when you awake
Oh, when you wake, wake

Little boy, little boy
Won't you lay your body down
Little boy, little boy
Won't you close your weary eyes
Ain't nothing flashing but the fireflies

Oo, little sleepy boy
Do you know what time it is?
Well the hour of your bedtime's long been past
And though I know you're fighting it
I can tell when you rub your eyes
You're fading fast, oh fading fast

. . .


Words & music by Paul Simon

When I was a little boy, (when I was just a boy)
And the Devil would call my name (when I was just a boy)
I'd say "now who do,
Who do you think you're fooling?" (when I was just a boy)
I'm a consecrated boy (when I was just a boy)
I'm a singer in a Sunday choir
Oh , my mama loves, she loves me
She get down on her knees and hug me
Like she loves me like a rock
She rocks me like the rock of ages
And loves me
She love me, love me, love me, love me

When I was grown to be a man (grown to be a man)
And the Devil would call my name (grown to be a man)
I'd say "now who do,
Who do you think you're fooling?" (grown to be a man)
I'm a consummated man (grown to be a man)
I can snatch a little purity
My mama loves me, she loves me
She get down on her knees and hug me
Like she loves me like a rock
She rocks me like the rock of ages
And loves me
She love me, love me, love me, love me
And if I was President (was the President)
The minute Congress call my name (was the President)
I'd say "who do,
Who do you think you're fooling? (Who do you think you're fooling)

I've got the Presidential Seal (was the president)
I'm up on the Presidential Podium
My mama loves me
She loves me
She get down on her knees and hug me
Like she loves me like a rock
She rocks me like the rock of ages
And loves me

Fade out:
She love me, love me, love me, love me
(loves me like a rock)

. . .


Words & music by Paul Simon

When I think back
On all the crap I learned in high school
It's a wonder
I can think at all
And though my lack of education
Hasn't hurt me none
I can read the writing on the wall

Kodachrome
They give us those nice bright colors
They give us the greens of summers
Makes you think all the world's a sunny day, Oh yeah
I got a Nikon camera
I love to take a photograph
So mama don't take my Kodachrome away

If you took all the girls I knew
When I was single
And brought them all together for one night
I know they'd never match
my sweet imagination
And everything looks worse in black and white

Kodachrome
They give us those nice bright colors
They give us the greens of summers
Makes you think all the world's a sunny day, Oh yeah
I got a Nikon camera
I love to take a photograph
So mama don't take my Kodachrome away

. . .


Words & music by Paul Simon

Yesterday it was my birthday
I hung one more year on the line
I should be depressed
My life's a mess
But I'm having a good time

Oo, I've been loving and loving and loving
I'm exhausted from loving so well
I should go to bed
But a voice in my head
Says "Ah, what the hell"

Have a good time
Have a good time
Have a good time
Have a good time

Paranoia strikes deep in the heartland
But I think it's all overdone
Exaggerating this and exaggerating that
They don't have no fun

I don't believe what I read in the papers
They're just out to capture my dime
I ain't worrying
And I ain't scurrying;
I'm having a good time

Have a good time
Have a good time
Have a good time
Have a good time

Maybe I'm laughing my way to disaster
Maybe my race has been run
Maybe I'm blind to the fate of mankind
But what can be done?
So God bless the goods we was given
And God bless the U. S. of A.
And God bless our standard of livin'
Let's keep it that way
And we'll all have a good time

Repeat and fade:
Have a good time
Have a good time
Have a good time
Have a good time

. . .


Words & music by Paul Simon

"The problem is all inside your head", she said to me
The answer is easy if you take it logically
I'd like to help you in your struggle to be free
There must be fifty ways to leave your lover

She said it's really not my habit to intrude
Furthermore, I hope my meaning won't be lost or misconstrued
But I'll repeat myself at the risk of being crude
There must be fifty ways to leave your lover
Fifty ways to leave your lover

Just slip out the back, Jack
Make a new plan, Stan
You don't need to be coy, Roy
Just get yourself free
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

Just slip out the back, Jack
Make a new plan, Stan
You don't need to be coy, Roy
Just get yourself free
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

She said it grieves me so to see you in such pain
I wish there was something I could do to make you smile again
I said I appreciate that and would you please explain
About the fifty ways

She said why don't we both just sleep on it tonight
And I believe in the morning you'll begin to see the light
And then she kissed me and I realized she probably was right
There must be fifty ways to leave your lover
Fifty ways to leave your lover

Just slip out the back, Jack
Make a new plan, Stan
You don't need to be coy, Roy
Just get yourself free
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

You just slip out the back, Jack
Make a new plan, Stan
You don't need to be coy, Roy
Just get yourself free
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

. . .


Words & music By Paul Simon

I met my old lover
On the street last night
She seemed so glad to see me
I just smiled
And we talked about some old times
And we drank ourselves some beers
Still crazy afler all these years
Oh, still crazy after all these years

I'm not the kind of man
Who tends to socialize
I seem to lean on
Old familiar ways
And I aint no fool for love songs
That whisper in my ears
Still crazy afler all these years
Oh, still crazy after all these years

Four in the morning
Crapped out, yawning
Longing my life a--way
I'll never worry
Why should I?
It's all gonna fade

Now I sit by my window
And I watch the cars
I fear I'll do some damage
One fine day
But I would not be convicted
By a jury of my peers
Still crazy after all these years
Oh, still crazy
Still crazy
Still crazy after all these years

. . .


Words & music by Paul Simon

The first thing I remember
I was lying in my bed
I couldn't of been no more
Than one or two
I remember there's a radio
Comin' from the room next door
And my mother laughed
The way some ladies do
When it's late in the evening
And the music's seeping through

The next thing I remember
I am walking down the street
I'm feeling all right
I'm with my boys, I'm with my troops, yeah
And down along the avenue
Some guys were shooting pool
And I heard the sound
Of a cappella groups, yeah
Singing late in the evening
And all the girls out on the stoops, yeah

Then I learned to play some lead guitar
I was underage in this funky bar
And I stepped outside to smoke myself a "J"
And when I came back to the room
Everybody just seemed to move
And I turned my amp up loud and I began to play
And it was late in the evening
And I blew that room away

The first thing I remember
When you came into my life
I said I'm gonna get that girl
No matter what I do
Well I guess I'd been in love before
And once or twice I been on the floor
But I never loved no one
The way that I loved you
And it was late in the evening
And all the music seeping through

. . .


Words & music by Paul Simon

Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away

I know a man
He came from my home town
He wore his passion for his woman
Like a thorny crown
He said Delores
I live in fear
My love for you's so overpowering
I'm afraid that I will disappear

Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away

I know a woman
Became a wife
These are the very words she uses
To describe her life
She said a good day
Ain't got no rain
She said a bad day's when I lie in bed
And think of things that might have been

Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away

And I know a fa-ther
Who had a son
He longed to tell him all the reasons
For the things he'd done
He came a long way
Just to explain
He kissed his boy as he lay sleeping
Then he turned around and headed home again

Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away

God only knows
God makes his plan
The information's unavailable
To the mortal man
We work our jobs
Collect our pay
Believe we're gliding down the highway
When in fact we're slip slidin' away

Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away

Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away
Mmm...

. . .



One and one-half wandering Jews
Free to wander wherever they choose
Are travelling together
In the Sangre de Cristo
The Blood of Christ Mountains
Of New Mexico
On the last leg of the journey
They started a long time ago
The arc of a love affair
Rainbows in the high desert air
Mountain passes slipping into stones
Hearts and bones
Hearts and bones
Hearts and bones
Thinking back to the season before
Looking back through the cracks in the door
Two people were married
The act was outrageous
The bride was contagious
She burned like a bride
These events may have had some effect
On the man with the girl by his side
The arc of a love affair
His hands rolling down her hair
Love like lightning shaking till it moans
Hearts and bones
Hearts and bones
Hearts and bones
And whoa whoa whoa
She said why?
Why don't we drive through the night
And we'll wake up down in Mexico
Oh I
I don't know nothin' about nothin'
About Mexico
And tell me why
Why won't you love me
For who I am
Where I am
He said:
'Cause that's not the way the world is baby
This is how I love you, baby
This is how I love you, baby
One and one-half wandering Jews
Returned to their natural coasts
To resume old acquaintances
Step out occasionally
And speculate who had been damaged the most
Easy time will determine if these consolations
Will be their reward
The arc of a love affair
Waiting to be restored
You take two bodies and you twirl them into one
Their hearts and their bones
And they won't come undone
Hearts and bones
Hearts and bones
Hearts and bones
Hearts and bones

. . .



She was beautiful as Southern skies
The night he met her
She was married to someone
He was doggedly determined that he would get her
He was old, he was young
From time to time he'd tip his heart
But each time she withdrew
Everybody loves the sound of a train in the distance
Everybody thinks it's true
Well eventually the boy and the girl get married
Sure enough they have a son
And though they both were occupied
With the child she carried
Disagreements had begun
And in a while they fell apart
It wasn't hard to do
Everybody loves the sound of a train in the distance
Everybody thinks it's true
Two disappointed believers
Two people playing the game
Negotiations and love songs
Are often mistaken for one and the same
Now the man and the woman
Remain in contact
Let us say it's for the child
With disagreements about the meaning
Of a marriage contract
Conversations hard and wild
But from time to time
He makes her laugh
She cooks a meal or two
Everybody loves the sound of a train in the distance
Everybody thinks it's true
Everybody loves the sound of a train in the distance
Everybody thinks it's true
What is the point of this story
What information pertains
The thought that life could be better
Is woven indelibly
Into our hearts
And our brains

. . .


Words & music by Paul Simon

Rene and Georgette Magritte
With their dog after the war
Returned to their hotel suite
And they unlocked the door
Easily losing their evening clothes
They danced by the light of the moon
To the Penguins, the Moonglows
The Orioles, and The Five Satins
The deep forbidden music
They'd been longing for
Rene and Georgette Magritte
With their dog after the war

Rene and Georgette Magritte
With their dog after the war
Were strolling down Christopher Street
When they stopped in a men's store
With all of the mannequins dressed in the style
That brought tears to their immigrant eyes
Just like The Penguins, the Moonglows
The Orioles, and The Five Satins
The easy stream of laughter
Flowing through the air
Rene and Georgette Magritte
With their dog apres la guerre
Side by side
They fell asleep
Decades gliding by like Indians
Time is cheap
When they wake up they will find
All their personal belongings
Have intertwined
Oh Rene and Georgette Magritte
With their dog after the war
Were dining with the power elite
And they looked in their bedroom drawer
And what do you think
They have hidden away
In the cabinet cold of their hearts?
The Penguins, the Moonglows
The Orioles, and The Five Satins
For now and ever after
As it was before
Rene and Georgette Magritte
With their dog after the war

. . .



(a-wa) O kodwa u zo-nge li-sa namhlange
(a-wa a-wa) Si-bona kwenze ka kanjani
(a-wa a-wa) Amanto mbazane ayeza
She's a rich girl
She don't try to hide it
Diamonds on the soles of her shoes

He's a poor boy
Empty as a pocket
Empty as a pocket with nothing to lose
Sing Ta na na
Ta na na na
She got diamonds on the soles of her shoes
She got diamonds on the soles of her shoes
Diamonds on the soles of her shoes
Diamonds on the soles of her shoes

People say she's crazy
She got diamonds on the soles of her shoes
Well that's one way to lose these
Walking blues
Diamonds on the soles of her shoes

She was physically forgotten
Then she slipped into my pocket
With my car keys
She said you've taken me for granted
Because I please you
Wearing these diamonds

And I could say Oo oo oo
As if everybody knows
What I'm talking about
As if everybody would know
Exactly what I was talking about
Talking about diamonds on the soles of her shoes

She makes the sign of a teaspoon
He makes the sign of a wave
The poor boy changes clothes
And puts on after-shave
To compensate for his ordinary shoes

And she said honey take me dancing
But they ended up by sleeping
In a doorway
By the bodegas and the lights on
Upper Broadway
Wearing diamonds on the soles of their shoes

And I could say Oo oo oo
As if everybody here would know
What I was talking about
I mean everybody here would know exactly
What I was talking about
Talking about diamonds

People say I'm crazy
I got diamonds on the soles of my shoes
Well that's one way to lose
These walking blues
Diamonds on the soles of your shoes

. . .



A man walks down the street
He says why am I soft in the middle now
Why am I soft in the middle
The rest of my life is so hard
I need a photo-opportunity
I want a shot at redemption
Don't want to end up a cartoon
In a cartoon graveyard
Bonedigger Bonedigger
Dogs in the moonlight
Far away my well-lit door
Mr. Beerbelly Beerbelly
Get these mutts away from me
You know I don't find this stuff amusing anymore
If you'll be my bodyguard
I can be your long lost pal
I can call you Betty
And Betty when you call me
You can call me Al

A man walks down the street
He says why am I short of attention
Got a short little span of attention
And wo my nights are so long
Where's my wife and family
What if I die here
Who'll be my role-model
Now that my role-model is
Gone Gone
He ducked back down the alley
With some roly-poly little bat-faced girl
All along along
There were incidents and accidents
There were hints and allegations

If you'll be my bodyguard
I can be your long lost pal
I can call you Betty
And Betty when you call me
You can call me Al
Call me Al

A man walks down the street
It's a street in a strange world
Maybe it's the Third World
Maybe it's his first time around
He doesn't speak the language
He holds no currency
He is a foreign man
He is surrounded by the sound
The sound
Cattle in the marketplace
Scatterlings and orphanages
He looks around, around
He sees angels in the architecture
Spinning in infinity
He says Amen! and Hallelujah!

If you'll be my bodyguard
I can be your long lost pal
I can call you Betty
And Betty when you call me
You can call me Al
Call me Al

. . .


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