You like it.
You like it.
I like the bass.
I like the bass.
I like the bass.
I like the bass.
It's catchy; you like it.
I like the bass.
I like the bass.
I like the bass.
I like the bass.
I like the grooves, but I digress.
This is the hook.
This is the hook.
It's catchy; you like it.
This is the hook.
This is the hook.
It's catchy; you like it.
This is the hook.
This is the hook.
It's catchy; you like it.
This is the hook.
This is the hook.
Now it is time for the breakdown.
The breakdown allows the track to really break the repetition.
Let's filter the hi-hat, let's filter the chords, let's filter the bass.
I like the filters. I like the grooves, but I digress.
You like it.
It's catchy; you like it.
I like the bass.
I like the bass.
I like the bass.
I like the bass.
I like the grooves, but I digress.
I like the bass.
I like the bass.
I like the bass.
I like the bass.
It's catchy; you like it.
This is the hook.
This is the hook.
It's catchy; you like it.
This is the hook.
This is the hook.
It's catchy; you like it.
This is the hook.
This is the hook.
It's catchy; you like it.
This is the hook.
This is the hook.
You like it.
Now for the quiet part.
Let's break it down to a kick-drum.
Now you should notice the dance-floor is reacting.
Look up from your decks.
Look at the audience.
It is important to show that you are alive.
You like it.
I like the bass.
I like the bass.
I like the bass.
I like the bass.
It's catchy; you like it.
I like the bass.
I like the bass.
I like the bass.
I like the bass.
I like the grooves, but I digress.
This is the hook.
This is the hook.
It's catchy; you like it.
This is the hook.
This is the hook.
It's catchy; you like it.
This is the hook.
This is the hook.
It's catchy; you like it.
This is the hook.
This is the hook.
It's catchy; you like it.
This is the hook.
This is the hook.
It's catchy; you like it.
This is the hook.
This is the hook.
It's catchy; you like it.
This is the hook.
This is the hook.
It's catchy; you like it.
This is the hook.
This is the hook.
You like it.
If the DJ does not have the next track queued by now,
He or she is f*ck*d
. . .
|
Switch to Russian 
